Bangkok: Sawasdee Khrap
Bangkok changed the way I think about cities. In its neon streets, crowded temples, and layered history, I discovered what urban texture truly means—and why some places stay with you long after you leave.
I start the new year quietly, cleaning, reading, thinking about Zen, and trying to become more present with myself and others.
I close the year by wrestling with Newtown, gun politics, information overload, and the need to renew myself with better focus.
I review Skyfall through Adele's theme, Bond action, shadows, silhouettes, Tennyson, and the film's careful use of light.
I mark my 33rd birthday by listing unknowable mysteries, unlearning old habits, and leaving some questions unanswered.
I reflect on breakup memories, Jennifer Thomson, holding onto positives, co-parenting with my ex, and trying to move on cleanly.
I connect Samsung, the iPhone, a ruined fresco, originality, plagiarism, and why transformative art depends on old material.
I write about Paul Carr's We Will Always Have the Flamingo, Las Vegas hotels, NSFW Corp, and his crass, sharp voice.
I recount my first Las Vegas trip as a Canadian, from travel frustration and hotel-industry blinders to culture shock on the Strip.
I rethink RSS feeds, Google Reader, online obligation, and intentional reading after a few offline days in Las Vegas.
I explain why the iPad became my preferred work device, with more focus, less distraction, quieter writing, and a better workflow.
I share John Gruber's joking keys to success: fussy coffee, clicky keyboards, SodaStream, and no Apple device required.
I collect Sunday reading links on Instagram, Facebook loneliness, tech news, Tyler Cowen, fashion, gender, and wider culture.
I write about Mike Monteiro's Design Is a Job, client service, directness, Mule Design, and why designers and service pros should read it.
I review the first season of Sons of Anarchy, comparing its lies, violence, and slow reveals with The Shield and why it hooked me.
I apply Marco Arment's product-focus idea to my own blog, looking for less feature creep and more variety in what I write.