Bangkok: Sawasdee Khrap
Bangkok changed the way I think about cities. In its neon streets, crowded temples, and layered history, I discovered what urban texture truly means—and why some places stay with you long after you leave.
I explain a new online identity inspired by Arabic calligraphy, language, design, and the search for a name that feels personal.
I describe how rediscovering Fraggle Rock pulled me out of a bad night and brought back childhood comfort through music and memory.
I reflect on restlessness, open-mindedness, and the feeling that I may always be searching for the next place to belong.
I announce my Macbeth adaptation project and explain how publishing the work online might help me keep moving through a creative roadblock.
I review Glory as a Civil War film about the 54th Massachusetts, human spirit, prejudice, and sacrifice on the battlefield.
I question the class and wealth behind America's founding ideals while thinking about democracy, power, and who gets represented.
I review City of God, reflecting on its violence, photography, cultural distance, and the pull of stories set far outside my own world.
I praise The Shield for its risk-taking, corruption, explosive writing, and darker view of policing compared with safer television dramas.
I describe losing my laptop charger for a few days and realizing how closely my routines, music, writing, and attention had fused with technology.
I think through obsession, necessity, cellphones, email, and how modern technology can start to feel less like a tool than a dependency.
I reflect on Changesurfer, transhumanism, FM-2030, and ideas about technology, relationships, and possible futures for humanity.
I wonder what history might have looked like if ordinary people had always been able to preserve their thoughts through blogs and media.
I share late-night thoughts on new music, iTunes downloads, Beck, Louis XIV, and the small thrill of finding songs through Pepsi caps.
I explore abstraction as a way of seeing, where art, beauty, language, and perception can either clarify or distort the world.
I wrestle with how we judge art and music, and whether calling something garbage says more about the work or about our own limits.